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daevid allen Turning the Tables WART 95.5 FM 2020-05-09 [60'] Drew Dobbs' weekly show - a seamless and powerful tribute ![]() 22 meanings The Art of Glissando Guitar, volume 1 only available as a download daevid allen connected breathing 2 pages scan of handwritten original given out at rebirthing workshops daevid allen & thom the poet live in San Francisco Auricular Records 1991-08-01 [36'24"] an afternoon of poems, lyrics, and political commentary [drop-out/splice at 7'08"] : Auricular daevid allen & friends studio follies 3'28" 'Daevid performed this poem many times ever since the Soft Machine UFO days. No date & venue.' [citation] + 'An Alien interpretation of the Lord's Prayer' [citation] - 2 cassette releases: Ottersongs OT18 (1982) + GAS 010 (1992) ![]() SoundArchives 1977 [10'07"] Clive Williamson interviews daevid about the mythology of Planet Gong and recording his solo album "Now is the Happiest Time of Your Life" at his studio in Deya - sponsored by Symbiosis Music ![]() 22 meanings The Art of Glissando Guitar, volume 1 only available as a download ![]() Mistake Club, Cleveland 1980-07-08 [53'48"] Divided Alien Clockwork Band tour - includes bits of radio interviews, studio recordings, live concerts. Gong History 101 performance/lecture + audio 'illustrations' in which daevid touches upon : What Gong Was (and wasn't) All About; The Switch Doctor; The Power Vision; The Soft Machine; Radio Gnome; Gong Cosmologistix; The Trilogy; Floating Anarchy; The Invisible Church of YOU; Zero the Hero; T Being; Fred the Fish; Banana Ananda; The Invisible Opera Company of Tibet; flying teapots; octave doctors; dope. WKSU Cleveland, USA daevid allen radio interview [32'19] 1980 radio Q and A session recorded by Jeff Wootton. Recorded in a discarded bean tin beside a busy airport runway, on a hot summer day in a city famed for having its river repeatedly catch fire, daevid goes on about gamelan, history, drugs, ritual, comparative religion, mysticism, cult super-stardom, Charlie Records, what he is and isn't doing, with and to whom, where and why. |
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